Things Fall Apart by Chinua Achebe

I think the shear number of tragic stories I've read in my lifetime sort of spoiled the impact of this one for me. I know it's famous and compared to the great Greek tragedies and has sold millions of copies -- yeah it is tragic and it was very interesting to be exposed to such an exotic people, with their rituals and gods and lifestyle -- but it was pretty hard for me to get past all the misogyny and random cruelty that this "great man" imposed upon his family, and I felt nothing at the conclusion.

This little passage here gives me a misplaced sense of snide self-satisfaction:

"When nearly two years later Obierika paid another visit to his friend in exile the circumstances were less happy. The missionaries had come to Umuofia. They had built their church there, won a handful of converts and were already sending evangelists to the surrounding towns and villages. That was a source of great sorrow to the leaders of the clan, but many of them believed that the strange faith and the white man's god would not last. None of his converts was a man whose word was heeded in the assembly of the people. None of them was a man of title. They were mostly the kind of people that were called efulefu, worthless, empty men. The imagery of an efulefu in the language of the clan was a man who sold his machete and wore the sheath to battle. Chielo, the priestess of Agbala, called the converts the excrement of the clan, and the new faith was a mad dog that had come to eat it up." (143)

(1958. New York: Random House, 1994)

The Sheltering Sky by Paul Bowles

"As he lay in the back of the truck, protected somewhat from the cold by Kit, now and then he was aware of the straight road beneath him. The twisting roads of the past weeks became alien, faded from his memory; it had been one strict, undeviating course inland to the desert, and now he was very nearly at the center.

How many times his friends, envying him his life, had said to him: 'Your life is so simple.' 'Your life seems always to go in a straight line.' Whenever they had said the words he heard in them an implicit reproach: it is not difficult to build a straight road on a treeless plain. He felt that what they really meant to say was: 'You have chosen the easiest terrain.' But if they elected to place obstacles in their own way -- and they so clearly did, encumbering themselves with every sort of unnecessary allegiance -- that was no reason why they should object to his having simplified his life. So it was with a certain annoynace that he would say: 'Everyone makes the life he wants. Right?' as though there were nothing further to be said." (198)

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"She had quite forgotten the August afternoon only a little more than a year ago, when they had sat alone out on the grass beneath the maples, watching the thunderstorm sweep up the river valley toward them, and death had become the topic. And Port had said: 'Death is always on the way, but the fact that you don't know when it will arrive seems to take away from the finiteness of life. It's that terrible precision that we hate so much. But because we don't know, we get to think of life as an inexhaustible well. Yet everything happens only a certain number of times, and a very small number, really. How many more times will you remember a certain afternoon of your childhood, some afternoon that's so deeply a part of your being that you can't even conceive of your life without it? Perhaps four or five times more. Perhaps not even that. How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless.'" (238)

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"Someone once had said to her that the sky hides the night behind it, shelters the person beneath from the horror that lies above. Unblinking, she fixed the solid emptiness, and the anguish began to move in her. At any moment the rip can occur, the edges fly back, and the giant maw be revealed." (312)


(1949. New York : Harper Collins, 1998)

Fahrenheit 451 by Ray Bradbury

"Most of us can't rush around, talk to everyone, know all the cities of the world, we haven't time, money or that many friends. The things you're looking for, Montag, are in the world, but the only way the average chap will ever see ninety-nine per cent of them is in a book. Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were headed for shore." (86)

"Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at the tree or that flower you planted, you're there. It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away." (157)

(1953. New York: Del Rey, 1987)

Lady Chatterley's Lover by D.H. Lawrence

"And are you sorry?" she said.
"In a way!" he replied, looking up at the sky. "I thought I'd done with it all. Now I've begun again."
"Begun what?"
"Life."
"Life!" she re-echoed, with a queer thrill.
"It's life," he said. "There's no keeping clear. And if you do keep clear you might almost as well die. So if I've got to be broken open again, I have." (110)

"Well, so many words, because I can't touch you. If I could sleep with my arms round you, the ink could stay in the bottle." (282-283)

(1928. New York: Signet Classic, 1959)